Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist Vase Wide Dusty Rose
Mist

Mist Vase Wide Dusty Rose

$227.00 Sale Save

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by Tamer Nakışçı

Taken from the Mist range by Tamer Nakisçi for NUDE, this wide Dusty Rose vase combines an exploration of colour and texture with an elegant and contemporary silhouette. One of the three sizes available, each vessel is made from lead-free corrugated crystal and adorned with a ripple pattern which makes the flower stems appear slightly blurred — as if seen through the mist.

Height: 8 1/4 in
Width: 4 in
Depth: 10 5/8 in
Material: lead-free crystal

The mastery and craftsmanship of handmade glass is a signature of NUDE.

NUDE prides itself in its artisanal approach to glassware, specializing in handmade, pure crystalline glass, be the pieces blown or press-blown. With their Master blowers, NUDE continues to hand
make much of the world’s most acclaimed glassware.

We recommend washing this product by hand using a soft sponge, brush or by hand.

Please avoid using the scourer side of the sponge as it will create scratching on the surface of the glass.

After hand washing let the product dry. Finish cleaning by drying and polishing the product using a soft cloth, preferably micro fiber.

Introducing

Tamer Nakışçı

Tamer Nakışçı, who currently lives and works between Istanbul and London, describes himself as an interdisciplinary designer, whose ultimate objective is to bring new perspectives to the world of design. His belief is that even a designed object should be open to interpretation, created so each individual user can engage with it in their own way. Tamer studied industrial design at Mimar Sinan University of Fine Arts in Istanbul and was invited during that time to join the prestigious Fiat Advanced Design Concept Lab in Milan. It was there that he learned about the importance of emotion and narrative in design. But it was regular boyhood visits to his father’s carpentry workshop that fired his initial enthusiasm for making. He devised a highly successful interactive installation at London’s Royal Academy, took part in an exhibition curated by Wallpaper magazine at the Salone del Mobile in Milan, participated in conversations around Istanbul’s Design Biennale, featured in Dwell magazine as a rising star.