Mars Vase Large Steel Apricot
The large apricot Mars vase from NUDE's Mars collection brings the magic of distant lands into your home. Crafted from handmade, lead-free crystal, this impressive vase draws inspiration from the stunning beauty of the planet Mars and its two moons, paying tribute to Mars's iron-rich soil with its orange color. This palette reflects the planet's orange and steel blue tones, bringing Mars's extraterrestrial beauty into your home and highlighting the diversity of colors and landscapes beyond our own planet.
The broad form of the Mars vase, in striking apricot tones, offers an aesthetic presentation reminiscent of the captivating landscapes of distant planets, standing out as an art piece in every detail. This vase serves not only as a companion for flowers but also as a sophisticated touch to your space. NUDE's special design is ideal for those seeking a modern and artistic expression, bringing the mystery and aesthetics of distant lands into your living room with every glance. This decorative vase also allows for creating harmonious combinations with its other sizes and blue color, enabling a cohesive harmony.
The mastery and craftsmanship of handmade glass is a signature of NUDE.
NUDE prides itself in its artisanal approach to glassware, specializing in handmade, pure crystalline glass, be the pieces blown or press-blown. With their Master blowers, NUDE continues to hand
make much of the world’s most acclaimed glassware.
We recommend washing this product by hand using a soft sponge, brush or by hand.
Please avoid using the scourer side of the sponge as it will create scratching on the surface of the glass.
After hand washing, let the product dry. Finish cleaning by drying and polishing the product using a soft cloth, preferably microfiber.
INTRODUCING
Pentagon Design
Arni Aromaa and Sauli Suomela established their agency, Pentagon Design, in 1996 – even though they were still studying for their MA in Industrial Design at Helsinki’s University of Art and Design at the time. Now they run a studio of 15, including industrial, graphic and interior designers, engineers, and economists. Their projects range from packaging for a Finnish confectionery company to the interior of a new library. Their design education, which followed the Bauhaus ideology, has left them with a preference for restraint and rigour, while coming from Finland means they have always thought of glass as a primary material. “The Finnish glass heritage is so strong,” they say. “In the same way that every interior architect has to design at least one chair in their lifetime, every Finnish designer has to work with glass.”
